recensione a Claudio Lorenzini, a cura di (2019), Rodolfo Pallucchini: storie, archivi, prospettive critiche, Udine: Forum (Fonti e testi: raccolta di archeologia e storia dell’arte), 462 pp.

The volume investigates the complex legacy by Rodolfo Pallucchini collecting in a single publication the proceedings of the study seminar (23 October 2018, Udine) and the conference (12-13 March 2019, Udine) developed around the project PRID, Rodolfo Pallucchini Archive: one tool for art history research, promoted by the University of Friuli following the acquisition of the personal archive of the scholar, received as a donation from daughters in the early nineties and moved between 2001 and 2002 from the residence Venetian in Udine, where it is preserved among the special funds of the Humanistic Library and of Training. Divided into three sections and twenty-five contributions, the volume offers the reader much broader results of those declared by the project, such as results of a multidisciplinary approach in which the scientific disciplines referable contribute to the cultural heritage together with the progression of studies, orchestrated around the critical use of archival and bibliographic sources.