This article examines Quintus Smyrnaeus’ variations on the motif of the earth soaked in blood in battle scenes. Homer expresses this motif in a series of formulas and expressions, whereas Quintus uses the same traditional vocabulary to create numerous variations. This paper analyses the difference between oral and written composition by taking some passages of the Posthomerica and the Homeric poems as examples. The motifs examined are earth soaked in blood, water and earth obstructed by bodies. This analysis shows that starting from Homeric formulas and expressions Quintus creates new images, thus showing originality in composing his poem. This article also analyses Quintus’ re-elaboration non only of epic but also of tragedy, which becomes clear in the prophetic dream of Hecuba (QS 14.278 s.), where the combination of the motif of a nursing mother and that of blood flowing creates a new and powerful image.
This article examines Quintus Smyrnaeus’ variations on the motif of the earth soaked in blood in battle scenes. Homer expresses this motif in a series of formulas and expressions, whereas Quintus uses the same traditional vocabulary to create numerous variations. This paper analyses the difference between oral and written composition by taking some passages of the Posthomerica and the Homeric poems as examples. The motifs examined are earth soaked in blood, water and earth obstructed by bodies. This analysis shows that starting from Homeric formulas and expressions Quintus creates new images, thus showing originality in composing his poem. This article also analyses Quintus’ re-elaboration non only of epic but also of tragedy, which becomes clear in the prophetic dream of Hecuba (QS 14.278 s.), where the combination of the motif of a nursing mother and that of blood flowing creates a new and powerful image.
La terra e il sangue (secondo Quinto Smirneo)
Katia Barbaresco
2019-01-01
Abstract
This article examines Quintus Smyrnaeus’ variations on the motif of the earth soaked in blood in battle scenes. Homer expresses this motif in a series of formulas and expressions, whereas Quintus uses the same traditional vocabulary to create numerous variations. This paper analyses the difference between oral and written composition by taking some passages of the Posthomerica and the Homeric poems as examples. The motifs examined are earth soaked in blood, water and earth obstructed by bodies. This analysis shows that starting from Homeric formulas and expressions Quintus creates new images, thus showing originality in composing his poem. This article also analyses Quintus’ re-elaboration non only of epic but also of tragedy, which becomes clear in the prophetic dream of Hecuba (QS 14.278 s.), where the combination of the motif of a nursing mother and that of blood flowing creates a new and powerful image.File | Dimensione | Formato | |
---|---|---|---|
Barbaresco2019 Lexis 37.pdf
accesso aperto
Tipologia:
Documento in Post-print
Licenza:
Accesso gratuito (solo visione)
Dimensione
1.63 MB
Formato
Adobe PDF
|
1.63 MB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.