This paper presents a stylistic analysis of Federico García Lorca’s first book, Impresiones y paisajes (1918), written in an intertextual, interartistic and metapoetic way. The comparison between Lorca’s cromatic symbolism and the ’98 painters’ aesthetics (Regoyos, Zuloaga) reveals interesting similarities, in particular, the similar negative meaning of the two colors, green and yellow.

Impresiones y paisajes de F.G.Lorca: modernismo y mirada interartística

SAINZ GONZALEZ, Maria Eugenia
2004-01-01

Abstract

This paper presents a stylistic analysis of Federico García Lorca’s first book, Impresiones y paisajes (1918), written in an intertextual, interartistic and metapoetic way. The comparison between Lorca’s cromatic symbolism and the ’98 painters’ aesthetics (Regoyos, Zuloaga) reveals interesting similarities, in particular, the similar negative meaning of the two colors, green and yellow.
2004
20
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/13089
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