The article explores the themes of body, physical pain, and corporeal memory as framed by Fatna El Bouih’s and Latifa Jbabdi’s prison narratives contained in Ḥadīth al-‘Atama (Tale from the Dark). Members of the Marxist-Leninist movement, El Bouih and Jbabdi were subjected to sensory annihilation, brutal tortures, practices of gender erosion, and sexual abuses during the Moroccan Years of Lead (1965 – 1999). The article provides a critical reading of the memoirs by identifying a trajectory from a gendered inflicted suffering (abuses and tortures) to an agentive self-inflicted pain (hunger strike). Drawing on Banu Bargu’s perspective on the manipulative use of corporeal ity in the carceral framework, the article emphasizes the weaponization of women’s bodies in undertaking a hunger strike which ultimately improves the inmates’ conditions of detention. Furthermore, the body is defined as a crucial medium of memory as the two women approach the recollection of violent past experiences to restore historical truth about Moroccan state violence of the Years of Lead.

Body, Gender, and Pain in Moroccan Prison Memoir Ḥadīth al-‘Atama

Martina Biondi
2020

Abstract

The article explores the themes of body, physical pain, and corporeal memory as framed by Fatna El Bouih’s and Latifa Jbabdi’s prison narratives contained in Ḥadīth al-‘Atama (Tale from the Dark). Members of the Marxist-Leninist movement, El Bouih and Jbabdi were subjected to sensory annihilation, brutal tortures, practices of gender erosion, and sexual abuses during the Moroccan Years of Lead (1965 – 1999). The article provides a critical reading of the memoirs by identifying a trajectory from a gendered inflicted suffering (abuses and tortures) to an agentive self-inflicted pain (hunger strike). Drawing on Banu Bargu’s perspective on the manipulative use of corporeal ity in the carceral framework, the article emphasizes the weaponization of women’s bodies in undertaking a hunger strike which ultimately improves the inmates’ conditions of detention. Furthermore, the body is defined as a crucial medium of memory as the two women approach the recollection of violent past experiences to restore historical truth about Moroccan state violence of the Years of Lead.
2020
14
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5121788
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