This paper aims to reconstruct the life-long interest of art historian Antonio Morassi (1893-1976) for Titian, from his education as a pupil of Max Dvořák at the University of Vienna to the rediscovery of the "Sacra Conversazione Balbi " while he was Monuments and Fine Arts superintendent in Liguria during World War II and his publication for Silvana Editoriale, "Tiziano", in 1964, through the documents preserved in his archive at Ca' Foscari University of Venice.
Un «genio precoce, costante e progressivo»: il Tiziano di Antonio Morassi
Camilla Traldi
2024
Abstract
This paper aims to reconstruct the life-long interest of art historian Antonio Morassi (1893-1976) for Titian, from his education as a pupil of Max Dvořák at the University of Vienna to the rediscovery of the "Sacra Conversazione Balbi " while he was Monuments and Fine Arts superintendent in Liguria during World War II and his publication for Silvana Editoriale, "Tiziano", in 1964, through the documents preserved in his archive at Ca' Foscari University of Venice.
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
Studi Tizianeschi_Traldi 2024.pdf
accesso aperto
Tipologia:
Documento in Post-print
Licenza:
Accesso gratuito (solo visione)
Dimensione
17.97 MB
Formato
Adobe PDF
|
17.97 MB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
