Quevedo’s sonnet «Al retrato del rey nuestro señor hecho de rasgos y lazos» by Quevedo is an interesting poetic venture in the literary field, as it is an ekphrasis of a drawing of Philip IV that distances itself from a series of poems about Díaz Morante’s calligraphic method: this work reviews the fame of the Nueva arte de escribir and its gallery of paratextual poems, to then examine Quevedos’ proposal that is made from a sort of margin that constitutes a feint of distinction.
«Argucia rara y generosa»: Quevedo y los poemas prologales al Arte nueva de escribir de Díaz Morante
Adrián J. Sáez
2025-01-01
Abstract
Quevedo’s sonnet «Al retrato del rey nuestro señor hecho de rasgos y lazos» by Quevedo is an interesting poetic venture in the literary field, as it is an ekphrasis of a drawing of Philip IV that distances itself from a series of poems about Díaz Morante’s calligraphic method: this work reviews the fame of the Nueva arte de escribir and its gallery of paratextual poems, to then examine Quevedos’ proposal that is made from a sort of margin that constitutes a feint of distinction.
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