This special issue reframes Machiavelli through a “materialism of the passions”: affects are not residues to be disciplined but constitutive energies that organize, unsettle, and regenerate political life. Drawing on a Lucretian naturalism, the essays map how desire, fear, laughter, and resentment operate beneath formal order, making conflict not a pathology to cure but a generative condition of freedom. The opening studies trace a non-transcendent account of the multitude and theorize collective desire as a negative, world-opening force, exemplified by Rome’s refusal to colonize Antium and Pacuvio Calavo’s ruse at Capua. Subsequent contributions examine laughter and parody in Discorsi I, 4 as rhetorical devices that disarm the fear of tumult; recast Machiavellian realism and virtù via the governance of passions in the Istorie fiorentine; and situate Machiavelli within broader cultural-political imaginaries—from the myth of the Swiss in European nation-building to Schmitt’s concepts of commissarial and sovereign dictatorship (Discorsi I, 34–37). Taken together, the volume presents Machiavelli as a theorist of complexity for whom political vitality emerges from the incessant oscillation between order and conflict, and for whom the passions are the deep motor of both cohesion and crisis.
Machiavelli e il materialismo delle passioni. Introduzione
Fabris A.
2025-01-01
Abstract
This special issue reframes Machiavelli through a “materialism of the passions”: affects are not residues to be disciplined but constitutive energies that organize, unsettle, and regenerate political life. Drawing on a Lucretian naturalism, the essays map how desire, fear, laughter, and resentment operate beneath formal order, making conflict not a pathology to cure but a generative condition of freedom. The opening studies trace a non-transcendent account of the multitude and theorize collective desire as a negative, world-opening force, exemplified by Rome’s refusal to colonize Antium and Pacuvio Calavo’s ruse at Capua. Subsequent contributions examine laughter and parody in Discorsi I, 4 as rhetorical devices that disarm the fear of tumult; recast Machiavellian realism and virtù via the governance of passions in the Istorie fiorentine; and situate Machiavelli within broader cultural-political imaginaries—from the myth of the Swiss in European nation-building to Schmitt’s concepts of commissarial and sovereign dictatorship (Discorsi I, 34–37). Taken together, the volume presents Machiavelli as a theorist of complexity for whom political vitality emerges from the incessant oscillation between order and conflict, and for whom the passions are the deep motor of both cohesion and crisis.| File | Dimensione | Formato | |
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