This essay is an investigation into the imagery of male warrior communities through the lens of two unparalleled 20th-century parodies: that of Jean Genet's Notre-Dame des Fleurs and that of Marcel Proust's Le Temps retrouvé. The key to this parodic depictions is the reversal of male self-representation into nostalgia for maternal feminine that takes the form of homosexual and sadomasochistic desire.

«Comme ces casernes, que l’on croit vides et pures, quand elles grouillent de mâles dangereux». Nostra Signora e i figli-fratelli. Intorno a un paradigma mitico

MASSIMO STELLA
2024-01-01

Abstract

This essay is an investigation into the imagery of male warrior communities through the lens of two unparalleled 20th-century parodies: that of Jean Genet's Notre-Dame des Fleurs and that of Marcel Proust's Le Temps retrouvé. The key to this parodic depictions is the reversal of male self-representation into nostalgia for maternal feminine that takes the form of homosexual and sadomasochistic desire.
2024
Anno XXIII, 2 (luglio-dicembre 2024)
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5093847
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