The text provides an analysis of Constantine Cavafy’s use of gemstones as symbolic motifs in his poetry, particularly in the period between 1912-1917. It suggests that Cavafy’s familial connection to jewelry may have influenced his interest in gemstones. His initial exploration of this imagery is evident in his early poem Dünya Güzeli ("World Beauty"; 1884). Cavafy's utilization of gemstones evolves over time culminating in works such as Μακρυά ("Far Off"; 1914) and Γκρίζα ("Grey"; 1917), where gemstones like opal are employed to evoke memory and sensation. It discusses the significance of opal's iridescence and its association with the eye, drawing from mineralogical studies and literary references. By highlighting Cavavy’s interest in mineralogy, the analysis offers a fresh perspective on his work, revealing layers of meaning that may have previously gone unnoticed. Furthermore, the metaphorical comparison of Cavafy's poetry to a precious stone emphasizes the enduring value and significance of his literary contributions. This interpretation not only reaffirms Cavafy’s status as one of the most important poets of the 20th century but also underscores the lasting impact of his poetic legacy.

Κυττάζοντας ἕνα ὀπάλλιο μισὸ γκρίζο. Οι πολύτιμοι λίθοι στην ποίηση του Κ. Π. Καβάφη / Gemstones in the poetry of C.P. Cavafy

Matthias Kappler
2024-01-01

Abstract

The text provides an analysis of Constantine Cavafy’s use of gemstones as symbolic motifs in his poetry, particularly in the period between 1912-1917. It suggests that Cavafy’s familial connection to jewelry may have influenced his interest in gemstones. His initial exploration of this imagery is evident in his early poem Dünya Güzeli ("World Beauty"; 1884). Cavafy's utilization of gemstones evolves over time culminating in works such as Μακρυά ("Far Off"; 1914) and Γκρίζα ("Grey"; 1917), where gemstones like opal are employed to evoke memory and sensation. It discusses the significance of opal's iridescence and its association with the eye, drawing from mineralogical studies and literary references. By highlighting Cavavy’s interest in mineralogy, the analysis offers a fresh perspective on his work, revealing layers of meaning that may have previously gone unnoticed. Furthermore, the metaphorical comparison of Cavafy's poetry to a precious stone emphasizes the enduring value and significance of his literary contributions. This interpretation not only reaffirms Cavafy’s status as one of the most important poets of the 20th century but also underscores the lasting impact of his poetic legacy.
2024
ΕΚΕΙ ΠΟΥ ΣΜΙΓΟΥΝ ΟΙ ΚΑΙΡΟΙ
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5083684
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