This review examines two recent monographs that explore the concept of "jazz diaspora/s": Rashida Braggs’s Jazz Diasporas: Race, Music, and Migration in Post-World War II Paris and Bruce Johnson’s Jazz Diaspora: Music and Globalisation. While both authors engage with the term, they use it in distinct and sometimes contradictory ways, especially in terms of its theoretical implications for jazz scholarship and its global significance. By highlighting their approaches to power and identity, this review clarifies how each author contributes to understanding jazz as both an African diasporic music and a global phenomenon
Jazz Diasporas: Race, Music, and Migration in Post-World War II ParisJazz Diaspora: Music and Globalisation
Gazit, Ofer
2022-01-01
Abstract
This review examines two recent monographs that explore the concept of "jazz diaspora/s": Rashida Braggs’s Jazz Diasporas: Race, Music, and Migration in Post-World War II Paris and Bruce Johnson’s Jazz Diaspora: Music and Globalisation. While both authors engage with the term, they use it in distinct and sometimes contradictory ways, especially in terms of its theoretical implications for jazz scholarship and its global significance. By highlighting their approaches to power and identity, this review clarifies how each author contributes to understanding jazz as both an African diasporic music and a global phenomenonFile in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
G3.1.1. Gazit Ofer Jazz Diasporas Race Music and Migration in Post-World War II Paris.pdf
non disponibili
Tipologia:
Versione dell'editore
Licenza:
Copyright dell'editore
Dimensione
115.08 kB
Formato
Adobe PDF
|
115.08 kB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.