L’impresa artigiana si comporta da impresa sociale?, Impresa Sociale

Public policies for urban regeneration have recently been stepped up, promoted through the trying to reactivate social and economic dynamics in the local contexts of intervention today. In these projects role played by small and medium-sized enterprises in the The European Commission has published a report on the cials, contributing consciously to the processes of presidio and territorial regeneration. In particular, the The European Commission has published a report on the Urban, social and economic development of cities, far beyond the mere question of production (Sennet, 2008). Costa (2011) highlighted how the company contributes to local development through social interactions based on Negotiated and open collaborations between artisans, communities and networks. Morandi (2008) has well argued as The craft has always played an important role as a social sentinel, able to give or take away quality from city and the territory, attributing peculiarities, security and specificity to places or trivializing them in a landscape Community-based approach, which underpins the importance of involving people in local communities in decision-making and the development of social capital networks (e.g., Thomas, Duncan, 2000), It recognizes the role played by small and medium-sized enterprises, mainly in the form of craft, strongly rooted in the territories. This essay aims to highlight if and under what conditions such companies can be considered as social enterprises, becoming part of its many The European Commission has published a report on the European Union’s research and development policy in the field of education and training, which is being The role of craft in the process of social inclusion and rehabilitation of vulnerable groups, such as young people with educational difficulties but manual skills, unemployed, disadvantaged people, mentally ill, prisoners, refugees and migrants. Ustd By using craft trades to achieve their aims of professional social inclusion, these initiatives a form of safeguarding the cultural heritage of artistic and traditional crafts but at the same time exercise a strong social character. The craft enterprise thus considered not only is not oriented to the profile, but goes beyond the accomplishment of mere actions related to the scope of social responsibility, being a contiguous response to social enterprises.