Digital communication is the set of all activities (visual, audiovisual, textual…etc. that are shared through a system of digital technology and social networks, e-mail, and other online sites. In the Smart society these planetary tools of communication continue to surprise us and almost without realizing it we have learned to think digitally; this does not mean knowing how to use the applications, but to share them consciously. Mood digital thinking implies a professional management of the communicative message, the possession of multi-skills in disciplinary fields, new cultural horizons, new formal codes, and thus new grammars that explain to us the functions and processes of digital communication. If we would like to describe semantics of digital thinking, we should reformulate creative thinking into the fixed one. The idea arises from the intuition that perhaps LSP languages and the style of classical poetics have common processes. Will this be true? Our aim is to undertake research on the transmission patterns and formal processes of classical texts, but above all, to scientifically validate the procedures, models, and tools that allow us to listen to a wonderful verse of a classical or modern poet, which still retains the echo of a land and convey the DPH unscathed, (Abstract Bucciarelli et al. 2020). The present work focuses on samples from the Iliad and Odyssey, and achieves a formal understanding of the Homeric text with an implementation of the paraphrase generator, requiring: 1) a morph syntactic rhetorical analysis, in order to detect the traits of formulaic expressions in quantum theories (Planat, 2014, 2016); 2) a formal analysis of the most frequent linguistic techniques in Homer's formulary style; 3) the use of the Nooj competition (Silberztein, 2015, 2016), for the formalization of sentences and the implementation with automatic paraphrase production on the search engine and Web Semantics. Some details of the methodologies will be explained.
Smart technologies and digital intelligence
Ritamaria Bucciarelli
;
2021-01-01
Abstract
Digital communication is the set of all activities (visual, audiovisual, textual…etc. that are shared through a system of digital technology and social networks, e-mail, and other online sites. In the Smart society these planetary tools of communication continue to surprise us and almost without realizing it we have learned to think digitally; this does not mean knowing how to use the applications, but to share them consciously. Mood digital thinking implies a professional management of the communicative message, the possession of multi-skills in disciplinary fields, new cultural horizons, new formal codes, and thus new grammars that explain to us the functions and processes of digital communication. If we would like to describe semantics of digital thinking, we should reformulate creative thinking into the fixed one. The idea arises from the intuition that perhaps LSP languages and the style of classical poetics have common processes. Will this be true? Our aim is to undertake research on the transmission patterns and formal processes of classical texts, but above all, to scientifically validate the procedures, models, and tools that allow us to listen to a wonderful verse of a classical or modern poet, which still retains the echo of a land and convey the DPH unscathed, (Abstract Bucciarelli et al. 2020). The present work focuses on samples from the Iliad and Odyssey, and achieves a formal understanding of the Homeric text with an implementation of the paraphrase generator, requiring: 1) a morph syntactic rhetorical analysis, in order to detect the traits of formulaic expressions in quantum theories (Planat, 2014, 2016); 2) a formal analysis of the most frequent linguistic techniques in Homer's formulary style; 3) the use of the Nooj competition (Silberztein, 2015, 2016), for the formalization of sentences and the implementation with automatic paraphrase production on the search engine and Web Semantics. Some details of the methodologies will be explained.File | Dimensione | Formato | |
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