This paper retraces Guillaume Postel's (1510-1581) initial acquisition of a copy of Taqwim al-Buldan (The Arrangement of Countries), a geographical treatise of the historian and geographer Abu'l-Fida (672/1273-732/1331) and offers an analysis of his reading of the text through a careful examination of the manuscript itself, hitherto ignored by scholarship. After the introduction and the examination of the manuscript, I will discuss the use Postel made of the Arabic geography in his cosmographical writings advancing the hypothesis that Postel's cosmography somehow shares a similar approach to Abu'l-Fida with respect to the concept of "tradition." Finally, by offering an analysis of a parallel to Postel's appropriation of Taqwim al-Buldan, i.e., Hajji Ahmed's cordiform map, I will propose a new way to re-contextualize the surge of cosmographical works in sixteenth-century Europe, as, at least in part, a product of post-Mongol tahqiq.
Antiquarianism or Taḥqīq? Guillaume Postel's Reading of Abu’l-Fidā’s Taqwīm al-Buldān
Comacchi, Maria Vittoria
2023-01-01
Abstract
This paper retraces Guillaume Postel's (1510-1581) initial acquisition of a copy of Taqwim al-Buldan (The Arrangement of Countries), a geographical treatise of the historian and geographer Abu'l-Fida (672/1273-732/1331) and offers an analysis of his reading of the text through a careful examination of the manuscript itself, hitherto ignored by scholarship. After the introduction and the examination of the manuscript, I will discuss the use Postel made of the Arabic geography in his cosmographical writings advancing the hypothesis that Postel's cosmography somehow shares a similar approach to Abu'l-Fida with respect to the concept of "tradition." Finally, by offering an analysis of a parallel to Postel's appropriation of Taqwim al-Buldan, i.e., Hajji Ahmed's cordiform map, I will propose a new way to re-contextualize the surge of cosmographical works in sixteenth-century Europe, as, at least in part, a product of post-Mongol tahqiq.I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.