The present work aims to examine Vera y Zúñiga's El Fernando (1632) in relation to both Tasso's Gerusalemme and the Jerusalén conquistada of his friend Lope de Vega. To do this, a presentation of the poem is offered and Vera and Zúñiga's composite rewriting of their two models is examined.
El Fernando o Sevilla restaurada de Vera y Zúñiga: una reescritura épica entre Tasso y Lope de Vega
Adrián J. Sáez
In corso di stampa
Abstract
The present work aims to examine Vera y Zúñiga's El Fernando (1632) in relation to both Tasso's Gerusalemme and the Jerusalén conquistada of his friend Lope de Vega. To do this, a presentation of the poem is offered and Vera and Zúñiga's composite rewriting of their two models is examined.
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