Rosaria Lo Russo’s study of Pirandello, begun thirty years ago with her dissertation, follows a double thread: it focuses on the female characters in the Sicilian author’s theatrical production, and identifies the possibility to know and understand a new, hidden, and incorporeal side of his work. Lo Russo approaches her investigation from a perspective that is both lateral and vertical: comparative and poetic. Her book will thus appeal both scholars and performers interested in Pirandello’s theatre as a means to bring to life female figures inspired by the powerful ambiguity of myth.
Lo Russo, Rosaria, La protagonista di Pirandello, ed. Corrado Donati and Massimo Rizzante, Pesaro, Metauro, 2021 (Alessandra Trevisan)
ALESSANDRA TREVISAN
2023-01-01
Abstract
Rosaria Lo Russo’s study of Pirandello, begun thirty years ago with her dissertation, follows a double thread: it focuses on the female characters in the Sicilian author’s theatrical production, and identifies the possibility to know and understand a new, hidden, and incorporeal side of his work. Lo Russo approaches her investigation from a perspective that is both lateral and vertical: comparative and poetic. Her book will thus appeal both scholars and performers interested in Pirandello’s theatre as a means to bring to life female figures inspired by the powerful ambiguity of myth.File in questo prodotto:
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