The contribution briefly aligns two analysis samples, for the definition of a field of investigation framed by the category of “comic jurisprudence”, in relation to a law considered in the sign of the “tragic”, in Carlo Goldoni and William Shakespeare. For the first - reflecting his experience as a lawyer who becomes “author of comedies” - we start from one of the autobiographical “tables” that open the Pasquali edition, the basis of the future autobiography, as a key to entry; for the second we consider some works that invest the question of the law precisely in a “comic” perspective, through a happy ending that passes through a theatrical use of jurisprudence.

Giurisprudenza comica

VESCOVO
2022-01-01

Abstract

The contribution briefly aligns two analysis samples, for the definition of a field of investigation framed by the category of “comic jurisprudence”, in relation to a law considered in the sign of the “tragic”, in Carlo Goldoni and William Shakespeare. For the first - reflecting his experience as a lawyer who becomes “author of comedies” - we start from one of the autobiographical “tables” that open the Pasquali edition, the basis of the future autobiography, as a key to entry; for the second we consider some works that invest the question of the law precisely in a “comic” perspective, through a happy ending that passes through a theatrical use of jurisprudence.
2022
3
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5022562
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