A conversation with Pasifika and Fa'afafine artist Yuki Kihara on her participation at the Venice Biennale 2022, with the exhibition "Paradise Camp" inside the Aotearoa/New Zealand Pavilion (curated by Natalie King). With her research-based work and the use of different media, including performance, sculpture, video, photography and curatorial practice, Kihara challenges both historical, dominant narratives and stereotypes of the colonial past.

Cristina Baldacci conversa con Yuki Kihara

Baldacci, Cristina
2022-01-01

Abstract

A conversation with Pasifika and Fa'afafine artist Yuki Kihara on her participation at the Venice Biennale 2022, with the exhibition "Paradise Camp" inside the Aotearoa/New Zealand Pavilion (curated by Natalie King). With her research-based work and the use of different media, including performance, sculpture, video, photography and curatorial practice, Kihara challenges both historical, dominant narratives and stereotypes of the colonial past.
2022
LEI
7
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5021968
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