Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.

Composizione e improvvisazione: dove sta la differenza?

GOLDONI, Daniele
2013-01-01

Abstract

Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.
2013
Ontologie musicali vol. 6 special issue 2013
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/43789
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