This article presents the unpublished manuscript “libretto” for a ballet-pantomime by Favart and Grandvoinet de Verrière performed in 1736 at Saint-Laurent Fair in Paris. The allegorical subject is submitted to satirical transformations: preciosity literary features, pastoral dramatic elements and figurative emblems become the means for a humouristic view on society, in line with Diderot disenchantment about innocence.
Il dibattito coreografico di Amore e Innocenza: studio di un inedito del primo Settecento.(Trascrizione, edizione critica del libretto manoscritto di Favart e Grandvoinet de Verrière con saggio introduttivo)
MARTINUZZI, Paola
2014-01-01
Abstract
This article presents the unpublished manuscript “libretto” for a ballet-pantomime by Favart and Grandvoinet de Verrière performed in 1736 at Saint-Laurent Fair in Paris. The allegorical subject is submitted to satirical transformations: preciosity literary features, pastoral dramatic elements and figurative emblems become the means for a humouristic view on society, in line with Diderot disenchantment about innocence.
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