Archival documentation from over 30 local institutions (parish and monastic churches, guilds and confraternities) is used as sample material for the purposes of creating an overall picture of music-making in Paduan churches from the 16th century to the early 19th-century Napoleonic suppressions. Data regards the more-or-less permanent musical 'cappelle', the functions of music on the most solemn feasts, music-making during Advent and Lent, the activities of the principal 'cappelle' in the many 'minor' churches, repertories and performing ensembles.

Le pratiche della musica nelle chiese monastiche e parrocchiali di Padova (secc. XVI-XVIII): primo bilancio di una ricerca in corso

BRYANT, David Douglas;
2014

Abstract

Archival documentation from over 30 local institutions (parish and monastic churches, guilds and confraternities) is used as sample material for the purposes of creating an overall picture of music-making in Paduan churches from the 16th century to the early 19th-century Napoleonic suppressions. Data regards the more-or-less permanent musical 'cappelle', the functions of music on the most solemn feasts, music-making during Advent and Lent, the activities of the principal 'cappelle' in the many 'minor' churches, repertories and performing ensembles.
2014
Barocco padano e musici francescani: l'apporto dei maestri conventuali
File in questo prodotto:
File Dimensione Formato  
MUSICA CHIESE MONASTICHE PARROCCHIALI PADOVA.pdf

non disponibili

Tipologia: Documento in Post-print
Licenza: Accesso chiuso-personale
Dimensione 485.2 kB
Formato Adobe PDF
485.2 kB Adobe PDF   Visualizza/Apri

I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/42455
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact