Examination of the rarely unequivocal relationship between the compositional style of a given piece of music, its function (or functions) in performance, and its sound, in the context of what is known about normal uses and practices of music both in the greatest churches and, above all, in parish and monastic churches on the Italian peninsula during the sixteenth and early seventeenth centuries.
Compositional Style, Performance and Function in Sixteenth-Century Italian Church Polyphony
BRYANT, David Douglas;QUARANTA, Elena
2014-01-01
Abstract
Examination of the rarely unequivocal relationship between the compositional style of a given piece of music, its function (or functions) in performance, and its sound, in the context of what is known about normal uses and practices of music both in the greatest churches and, above all, in parish and monastic churches on the Italian peninsula during the sixteenth and early seventeenth centuries.
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