Milena Milani (1917-2013) was a multifaceted personality in the 20th-century Italian cultural scene. Beginning in the 1940s, she established herself as a writer, journalist, and art critic, engaging with the world of contemporary art through her association with the art dealer Carlo Cardazzo. Her decades-long relationships with numerous painters and sculptors provided fertile ground for her art criticism, which culminated in a series of essays published between the 1970s and 1980s. In these writings, Milani delves into the human dimension of male artists, intertwining biographical details with artistic analysis. By blending diary-like entries and art prose, she crafts a unique narrative approach to art criticism.

Milena Milani e il ritratto d'artista, tra prosa d'arte, diario e narrazione

Alessandra Trevisan
2021-01-01

Abstract

Milena Milani (1917-2013) was a multifaceted personality in the 20th-century Italian cultural scene. Beginning in the 1940s, she established herself as a writer, journalist, and art critic, engaging with the world of contemporary art through her association with the art dealer Carlo Cardazzo. Her decades-long relationships with numerous painters and sculptors provided fertile ground for her art criticism, which culminated in a series of essays published between the 1970s and 1980s. In these writings, Milani delves into the human dimension of male artists, intertwining biographical details with artistic analysis. By blending diary-like entries and art prose, she crafts a unique narrative approach to art criticism.
2021
2/2021
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3759648
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