A multifaceted personality of the intellectual panorama of the twentieth century, Milena Milani has dedicated herself to the world of contemporary art since the 1940s, when she met the art dealer Carlo Cardazzo. With several painters, sculptors and other subjects she entertained for decades a relationship of mutual esteem, culminating in some essays published between the seventies and the eighties. In talking about male artists, not only their art emerges, but also the human dimension connected to it, which for Milena Milani becomes the fulcrum of a narrative discourse in what we can consider texts close to diaries and art prose.
Milena Milani e il ritratto d'artista, tra prosa d'arte, diario e narrazione
Alessandra Trevisan
2021-01-01
Abstract
A multifaceted personality of the intellectual panorama of the twentieth century, Milena Milani has dedicated herself to the world of contemporary art since the 1940s, when she met the art dealer Carlo Cardazzo. With several painters, sculptors and other subjects she entertained for decades a relationship of mutual esteem, culminating in some essays published between the seventies and the eighties. In talking about male artists, not only their art emerges, but also the human dimension connected to it, which for Milena Milani becomes the fulcrum of a narrative discourse in what we can consider texts close to diaries and art prose.
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