The essay starts by addressing to modernism and then reaches the threshold of the new millennium, to stress the importance of what Michelstaedter called La persuasione e la rettorica (persuasion and rhetoric) in the literary space. The excursus focuses mainly on the relationship between Author and Characters and crosses works such as Sei personaggi in cerca d’autore by Pirandello or Kafka's The Castle in the Modernism, Paul Auster's New York Trilogy or Tarantino's Pulp Fiction in the Postmodernism, and finally focuses on Kubrick's Eyes Wide Shut and DeLillo's Underworld to emphasize its paradigmatic value in relation to the notion of nostalgia for persuasion.
La nostalgia della persuasione come categoria ermeneutica. Kubrick e DeLillo
Cinquegrani
2021-01-01
Abstract
The essay starts by addressing to modernism and then reaches the threshold of the new millennium, to stress the importance of what Michelstaedter called La persuasione e la rettorica (persuasion and rhetoric) in the literary space. The excursus focuses mainly on the relationship between Author and Characters and crosses works such as Sei personaggi in cerca d’autore by Pirandello or Kafka's The Castle in the Modernism, Paul Auster's New York Trilogy or Tarantino's Pulp Fiction in the Postmodernism, and finally focuses on Kubrick's Eyes Wide Shut and DeLillo's Underworld to emphasize its paradigmatic value in relation to the notion of nostalgia for persuasion.
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