Adriana Sacco in Carlo Goldoni’s and Carlo Gozzi’s plays · This essay examines the traces left by Adriana Sacco on Carlo Goldoni’s playwriting. The comparison between the commedia dell’arte Smeraldina spirito folletto (1733), in which Adriana took the leading role dur- ing her stay in St Petersburg, and La donna di garbo (1743), sheds light on the fact that Adriana’s acting style and the resources of the female figures she created exerted a decisive influence on Goldoni’s and Gozzi’s plays.
Adriana Sacco nella drammaturgia di Carlo Goldoni e Carlo Gozzi
T. Korneeva
2021-01-01
Abstract
Adriana Sacco in Carlo Goldoni’s and Carlo Gozzi’s plays · This essay examines the traces left by Adriana Sacco on Carlo Goldoni’s playwriting. The comparison between the commedia dell’arte Smeraldina spirito folletto (1733), in which Adriana took the leading role dur- ing her stay in St Petersburg, and La donna di garbo (1743), sheds light on the fact that Adriana’s acting style and the resources of the female figures she created exerted a decisive influence on Goldoni’s and Gozzi’s plays.
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
Korneeva_Adriana_Sacco_nella drammaturgia_di_Carlo_Goldoni_SG_2022.pdf
non disponibili
Tipologia:
Versione dell'editore
Licenza:
Accesso chiuso-personale
Dimensione
827.45 kB
Formato
Adobe PDF
|
827.45 kB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
