Adriana Sacco in Carlo Goldoni’s and Carlo Gozzi’s plays · This essay examines the traces left by Adriana Sacco on Carlo Goldoni’s playwriting. The comparison between the commedia dell’arte Smeraldina spirito folletto (1733), in which Adriana took the leading role dur- ing her stay in St Petersburg, and La donna di garbo (1743), sheds light on the fact that Adriana’s acting style and the resources of the female figures she created exerted a decisive influence on Goldoni’s and Gozzi’s plays.

Adriana Sacco nella drammaturgia di Carlo Goldoni e Carlo Gozzi

T. Korneeva
2021-01-01

Abstract

Adriana Sacco in Carlo Goldoni’s and Carlo Gozzi’s plays · This essay examines the traces left by Adriana Sacco on Carlo Goldoni’s playwriting. The comparison between the commedia dell’arte Smeraldina spirito folletto (1733), in which Adriana took the leading role dur- ing her stay in St Petersburg, and La donna di garbo (1743), sheds light on the fact that Adriana’s acting style and the resources of the female figures she created exerted a decisive influence on Goldoni’s and Gozzi’s plays.
Studi goldoniani, 18, n.s. 10
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3756147
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