The paper reconstructs the nineteenth-century fortune of the fresco fragment depicting a Putto, which entered the collections of the Academy of San Luca in Rome thanks to the legacy of the painter Jean-Baptiste Wicar in 1834 and traditionally attributed to Raphael.
«le plus beau dessin et la plus belle couleur réunis»: il fascino del Putto reggifestone di Raffaello nell’Ottocento
ventra. stefania
2017-01-01
Abstract
The paper reconstructs the nineteenth-century fortune of the fresco fragment depicting a Putto, which entered the collections of the Academy of San Luca in Rome thanks to the legacy of the painter Jean-Baptiste Wicar in 1834 and traditionally attributed to Raphael.
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