After a kind of parenthesis, Vargas Llosa’s The Neighborhood is a return to the origins, since it is related both to its usual narrative formula and to the model of the dictator novel. This work examines this network of connections, as well as the intertextuality of the novel with Asturias’ Mister President.
«Una risueña maldad fría»: Cinco esquinas de Vargas Llosa y la novela de dictador
Adrián J. Sáez
2021-01-01
Abstract
After a kind of parenthesis, Vargas Llosa’s The Neighborhood is a return to the origins, since it is related both to its usual narrative formula and to the model of the dictator novel. This work examines this network of connections, as well as the intertextuality of the novel with Asturias’ Mister President.
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