Found footage and archive images, split-screen or a multiplication of the image on screen, a replacement of the original soundtrack with commentary, a detached voice-over alternating long/silent sequences, an explanatory use of info-graphics and tracking technologies. These elements feature in Harun Farocki’s work on surveillance – work ranging from documentary films to video installations that constitutes a complex imagery based on practices of watching and being watched, control and the gaze, triggered throughout private and public spaces.
Poetics and politics of the trace: Notes on surveillance practices through Harun Farocki’s work
Miriam Stefania De Rosa
2014-01-01
Abstract
Found footage and archive images, split-screen or a multiplication of the image on screen, a replacement of the original soundtrack with commentary, a detached voice-over alternating long/silent sequences, an explanatory use of info-graphics and tracking technologies. These elements feature in Harun Farocki’s work on surveillance – work ranging from documentary films to video installations that constitutes a complex imagery based on practices of watching and being watched, control and the gaze, triggered throughout private and public spaces.
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