Through the lens of the Venice Film Festival and a set of documents preserved at the festival archives (ASAC), this essay discusses the process through which the People’s Republic of China (PRC) has achieved its prominent position in the international film scene. Thanks to a combination of informal and informal exchanges before and after the establishment of bilateral relations between Italy and the PRC on 6 November 1970, the Venice Film Festival could offer a prestigious platform for screening Chinese films to an international audience while, at the same time, serve as a site for cultural diplomacy.
Il cinema cinese a Venezia tra arte e diplomazia (1955-1990)
POLLACCHI, Elena
2021-01-01
Abstract
Through the lens of the Venice Film Festival and a set of documents preserved at the festival archives (ASAC), this essay discusses the process through which the People’s Republic of China (PRC) has achieved its prominent position in the international film scene. Thanks to a combination of informal and informal exchanges before and after the establishment of bilateral relations between Italy and the PRC on 6 November 1970, the Venice Film Festival could offer a prestigious platform for screening Chinese films to an international audience while, at the same time, serve as a site for cultural diplomacy.
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