The present paper investigates poetry written in China on the theme of the COVID-19 pandemic following the outbreak in January 2020, considered both as a social phenomenon and as literary text. The analysis is primarily interested in considering the impact of the Corona pandemic on poetry’s interaction with social reality. In order to do so, the essay follows two trajectories. Firstly, it explores the public role performed by poets in the nationwide popular mobilisation that sustained the party-state’s effort to curb the epidemic, with a strong emphasis on poetry as a social practice, specifically in a time of crisis, as outlined by both the state and the authors themselves. Secondly, through a close reading of selected texts, it shows the heterogeneity of standpoints adopted by poets in their individual understandings of their role during China’s anti-Corona mobilisation effort, especially in relation with the “master narrative” advanced by the state. The paper demonstrates that the final configuration of China’s pandemic poetry was made possible by Chinese poetry’s longstanding tradition of social responsibility, and that the transgression of boundaries between the official and unofficial poetry scenes, and “amateur” and “professional” authors was instrumental to promote poets’ public engagement.

“Poets, What Can We Do?”: Pandemic Poetry in China’s Mobilisation Against COVID-19

Picerni, Federico
2022-01-01

Abstract

The present paper investigates poetry written in China on the theme of the COVID-19 pandemic following the outbreak in January 2020, considered both as a social phenomenon and as literary text. The analysis is primarily interested in considering the impact of the Corona pandemic on poetry’s interaction with social reality. In order to do so, the essay follows two trajectories. Firstly, it explores the public role performed by poets in the nationwide popular mobilisation that sustained the party-state’s effort to curb the epidemic, with a strong emphasis on poetry as a social practice, specifically in a time of crisis, as outlined by both the state and the authors themselves. Secondly, through a close reading of selected texts, it shows the heterogeneity of standpoints adopted by poets in their individual understandings of their role during China’s anti-Corona mobilisation effort, especially in relation with the “master narrative” advanced by the state. The paper demonstrates that the final configuration of China’s pandemic poetry was made possible by Chinese poetry’s longstanding tradition of social responsibility, and that the transgression of boundaries between the official and unofficial poetry scenes, and “amateur” and “professional” authors was instrumental to promote poets’ public engagement.
2022
10
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3743005
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