The aim of this paper is to suggest a new reconstruction for the staging of the prologue to Lysistrata. Contrary to received opinion, the entry into the orchestra of a group of non-athenian women accom- panying lampitò, the Boeotian woman, and the Corinthian woman has nothing to do with the entry of two groups of athenian women who form the chorus. On this new reconstruction, which is more faithful to the text of the play, several otherwise puzzling details fall into place.
The aim of this paper is to suggest a new reconstruction for the staging of the prologue to Lysistrata. Contrary to received opinion, the entry into the orchestra of a group of non-Athenian women accompanying Lampitò, the Boeotian woman, and the Corinthian woman has nothing to do with the entry of two groups of Athenian women who form the chorus. On this new reconstruction, which is more faithful to the text of the play, several otherwise puzzling details fall into place.
Osservazioni sul prologo della Lisistrata
Federico Favi
2018-01-01
Abstract
The aim of this paper is to suggest a new reconstruction for the staging of the prologue to Lysistrata. Contrary to received opinion, the entry into the orchestra of a group of non-Athenian women accompanying Lampitò, the Boeotian woman, and the Corinthian woman has nothing to do with the entry of two groups of Athenian women who form the chorus. On this new reconstruction, which is more faithful to the text of the play, several otherwise puzzling details fall into place.
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