We propose a study of the transdiscursive and transaesthetic strategies of political and poetic resistance of three Argentinian writers who update the problematic of biopower in this new millennium: Mariana Enríquez and her short novel Chicos que vuelven, Gabriela Cabezón Cámara (with Iñaqui Echeverría) the graphic novel Beya (le viste la cara a dios) and Selva Almada with her chronicle Chicas muertas.
Lo plural en la escritura: Selva Almada, Mariana Enríquez y Gabriela Cabezón Cámara
regazzoni susanna
2020-01-01
Abstract
We propose a study of the transdiscursive and transaesthetic strategies of political and poetic resistance of three Argentinian writers who update the problematic of biopower in this new millennium: Mariana Enríquez and her short novel Chicos que vuelven, Gabriela Cabezón Cámara (with Iñaqui Echeverría) the graphic novel Beya (le viste la cara a dios) and Selva Almada with her chronicle Chicas muertas.
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