In the context of the intense relationships between poetry and painting in Venice during the XVIth Century, appears two poems by Aretino («Furtivamente Tiziano e Amore») and Hurtado de Mendoza («Tu gracia, tu valor, tu hermosura») dedicated to Tiziano’s portrait of a mysterious lady that has been identified with doña Marina de Aragón and a Hebrew mistress, with a series of problems. This work aims to review the network of contacts that is the base for this pictorial- poetical exercise, as well as to examine both texts in relation with the artistic world and the possible paintings in the tradition of portrait-poems.

Poemas para una dama: Aretino, Hurtado de Mendoza y un retrato de Tiziano

Adrián J. Sáez
2020

Abstract

In the context of the intense relationships between poetry and painting in Venice during the XVIth Century, appears two poems by Aretino («Furtivamente Tiziano e Amore») and Hurtado de Mendoza («Tu gracia, tu valor, tu hermosura») dedicated to Tiziano’s portrait of a mysterious lady that has been identified with doña Marina de Aragón and a Hebrew mistress, with a series of problems. This work aims to review the network of contacts that is the base for this pictorial- poetical exercise, as well as to examine both texts in relation with the artistic world and the possible paintings in the tradition of portrait-poems.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3728753
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