In this article the author proposes an overall reconsideration of the Martin Schongauer’s reception as engraver in Italian art and literature during the sixteenth and seventeenth centuries, paying constant attention to the surviving sources. Especially, the author investigates Schongauer’s position as Dürer’s master, his recognized role as initiator of the Nordic engraving, and the different ways in which his famous prints were reproduced in Italy.
La recezione di Martin Schongauer incisore nell'arte e nella letteratura italiana del XVI e XVII secolo. Modelli di lettura
FARA, Giovanni Maria
2018-01-01
Abstract
In this article the author proposes an overall reconsideration of the Martin Schongauer’s reception as engraver in Italian art and literature during the sixteenth and seventeenth centuries, paying constant attention to the surviving sources. Especially, the author investigates Schongauer’s position as Dürer’s master, his recognized role as initiator of the Nordic engraving, and the different ways in which his famous prints were reproduced in Italy.File in questo prodotto:
File | Dimensione | Formato | |
---|---|---|---|
FaraStoriaArte.pdf
accesso aperto
Descrizione: Pdf editoriale
Tipologia:
Versione dell'editore
Licenza:
Accesso libero (no vincoli)
Dimensione
804.42 kB
Formato
Adobe PDF
|
804.42 kB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.