Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.
«Una trasgressione delittuosa». Manichini di cera e teoria della percezione
Pietro Conte
2013-01-01
Abstract
Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.File in questo prodotto:
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