Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.

«Una trasgressione delittuosa». Manichini di cera e teoria della percezione

Pietro Conte
2013-01-01

Abstract

Referring to Tadeusz Kantor’s "Dead class" and the renowned mannequins dragged along the stage by its age-old characters, this essay focuses on the material used to build them, namely wax, investigating its distinctive meaning for aesthetics as a theory of perception.
2013
5
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3709073
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