Within the gallery of texts annotated by Quevedo, the treatise De' veri precetti della pittura is the unique reading of a book that deals with precepts in painting. The introductory comments of this article deals with the purpose of Armenini's text and its Spanish reception. It follows with the detailed examination of Quevedo's three annotations, which are in dialogue with the pictorial Parnassus drafted by the poet in two poems ("El pincel" y "Matraca de los panos y sedas"). The annotations confirm Quevedo's preference for Italian painting and specially the Venetian school, adding some information on his interest in sculpture.

Quevedo y Armenini: lecturas pictóricas de un poeta

Adrián J. Sáez
2015-01-01

Abstract

Within the gallery of texts annotated by Quevedo, the treatise De' veri precetti della pittura is the unique reading of a book that deals with precepts in painting. The introductory comments of this article deals with the purpose of Armenini's text and its Spanish reception. It follows with the detailed examination of Quevedo's three annotations, which are in dialogue with the pictorial Parnassus drafted by the poet in two poems ("El pincel" y "Matraca de los panos y sedas"). The annotations confirm Quevedo's preference for Italian painting and specially the Venetian school, adding some information on his interest in sculpture.
2015
4
File in questo prodotto:
File Dimensione Formato  
SAEZ.Quev.Armenini.pdf

accesso aperto

Tipologia: Versione dell'editore
Licenza: Creative commons
Dimensione 25.09 MB
Formato Adobe PDF
25.09 MB Adobe PDF Visualizza/Apri

I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/3706329
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? 0
social impact