Amongst the conflicts of power presented in Calderon's theatre, this work examines the struggles for succession in kingdoms (and other duchies) in a series of palatine plays (La selva confusa, Lances de amor y fortuna, Para vencer amor, querer vencerlo and Mujer, llora y venceras) and knights plays (Argenis y Poliarco, Auristela y Lisidante, El castillo de Lindab-ridis and Hado y divisa de Leonido y Masa), a corpus that allows to explore the development of a subject throughout Calderon's career, with different scopes, functions and meanings.
Amongst the conflicts of power presented in Calderón's theatre, this work examines the struggles for succession in kingdoms (and other duchies) in a series of palatine plays (La selva confusa, Lances de amor y fortuna, Para vencer amor, querer vencerlo and Mujer, llora y vencerás) and knights plays (Argenis y Poliarco, Auristela y Lisidante, El castillo de Lindabridis and Hado y divisa de Leonido y Marfisa), a corpus that allows to explore the development of a subject throughout Calderón's career, with different scopes, functions and meanings.
Juego de tronos: disputas de poder en la comedia cómica de Calderón
SÁEZ A
2017-01-01
Abstract
Amongst the conflicts of power presented in Calderón's theatre, this work examines the struggles for succession in kingdoms (and other duchies) in a series of palatine plays (La selva confusa, Lances de amor y fortuna, Para vencer amor, querer vencerlo and Mujer, llora y vencerás) and knights plays (Argenis y Poliarco, Auristela y Lisidante, El castillo de Lindabridis and Hado y divisa de Leonido y Marfisa), a corpus that allows to explore the development of a subject throughout Calderón's career, with different scopes, functions and meanings.File | Dimensione | Formato | |
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