In the context of the different modulations of the Cuckold's subject on Cervantes' corpus and with the approval of the relationship between both poets, this work examines the re-writing of Cervantes' interlude El retablo de las maravillas done by Quinones de Benavente, and also the version of the theme in Avellaneda's Los rabanos y la fiesta de toros.

In the context of the different modulations of the Cuckold's subject on Cervantes' corpus and with the approval of the relationship between both poets, this work examines the rewriting of Cervantes' interlude El retablo de las maravillas done by Quiñones de Benavente, and also the version of the theme in Avellaneda's Los rábanos y la fiesta de toros.

Cuernos para todos: El retablo de las maravillas de Cervantes a Quiñones de Benavente

Adrián J. Sáez
2017

Abstract

In the context of the different modulations of the Cuckold's subject on Cervantes' corpus and with the approval of the relationship between both poets, this work examines the re-writing of Cervantes' interlude El retablo de las maravillas done by Quinones de Benavente, and also the version of the theme in Avellaneda's Los rabanos y la fiesta de toros.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/10278/3704611
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