Ripercorrendo la vicenda attoriale dell’autrice in due momenti, 1941-1960 e 1982-1989, ci si concentra in particolare sulle esperienze teatrali, televisive e radiofoniche. Grazie al recupero di materiali a oggi mai considerati, si propone una nuova cronologia capace di mettere in luce alcuni nodi dell’esperienza d’attrice, esaminando il legame tra drammaturgia, rappresentazione, attorialità e autorialità. Si offre infine un’intervista a Patrizia Zappa Mulas, attrice e scrittrice che lavorò con Goliarda Sapienza nel 1987-’88.
This essay offers a groundbreaking re-examination of Goliarda Sapienza's multifaceted career as an actress, utilizing previously unexamined archival materials to reconstruct her theatrical, television, and radio work across two distinct periods: 1941-1960 and 1982-1989. By establishing a revised chronology, the study sheds new light on Sapienza's acting style and explores the complex interplay between dramaturgy, representation, performance, and authorship in her work. The essay concludes with an original interview with actress and writer Patrizia Zappa Mulas, who collaborated with Sapienza in the late 1980s, providing unique insights into her creative process and artistic legacy.
«RECITANDO SI IMPARA A SCRIVERE»: GOLIARDA SAPIENZA A TEATRO, TRA BIOGRAFIA E DOCUMENTI INEDITI
Alessandra Trevisan
2018-01-01
Abstract
This essay offers a groundbreaking re-examination of Goliarda Sapienza's multifaceted career as an actress, utilizing previously unexamined archival materials to reconstruct her theatrical, television, and radio work across two distinct periods: 1941-1960 and 1982-1989. By establishing a revised chronology, the study sheds new light on Sapienza's acting style and explores the complex interplay between dramaturgy, representation, performance, and authorship in her work. The essay concludes with an original interview with actress and writer Patrizia Zappa Mulas, who collaborated with Sapienza in the late 1980s, providing unique insights into her creative process and artistic legacy.I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.