Regarding both poetry and prose, considering the autobiographic period between 1944 and 1964, this contribute aims to highlight some of the author’s textual topics. Cities – especially Venice –, identity, truth and experience are connected to models and contemporary Italian writers, trying to reconstruct a crucial context in which Milena Milani (1917-2013) worked. Suggestions also from cinema and definition applied to other artists could offer an interesting field of intertextual links.
LA “RAGAZZA DI NOME” MILENA MILANI: VISIONI DI CITTÀ E TEMI “ALTRI”, FRA POESIA E PROSA (1944-1964)
Trevisan, Alessandra
2017-01-01
Abstract
Regarding both poetry and prose, considering the autobiographic period between 1944 and 1964, this contribute aims to highlight some of the author’s textual topics. Cities – especially Venice –, identity, truth and experience are connected to models and contemporary Italian writers, trying to reconstruct a crucial context in which Milena Milani (1917-2013) worked. Suggestions also from cinema and definition applied to other artists could offer an interesting field of intertextual links.
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