A thematic itinerary which subtends literature, dance theatre and photography in an innovative plan. Some characteristics about these three authors will be demonstrated intersecting different fields in dialogue as cinema, philosophy and architecture in addition to the mentioned ones. Trying to catch outstanding aspects of the cultural context in which Bausch, Sapienza and Woodman lived and worked, recreating and crossing their “systems” then reading biography and autobiography beyond their works, applying new interpretations never explored before, it is possible to reconstruct the anatomy of a “tragic body” – central in this article –, both singular and plural. In every part it will reveal unknown and intertextual specificities.
A thematic itinerary which subtends literature, dance theatre and photography in an innovative plan. Some characteristics about these three authors will be demonstrated intersecting different fields in dialogue as cinema, philosophy and architecture in addition to the mentioned ones. Trying to catch outstanding aspects of the cultural context in which Bausch, Sapienza and Woodman lived and worked, recreating and crossing their “systems” then reading biography and autobiography beyond their works, applying new interpretations never explored before, it is possible to reconstruct the anatomy of a “tragic body” – central in this article –, both singular and plural. In every part it will reveal unknown and intertextual specificities.
Muri ‘della mente’ e ‘del corpo’ nell’opera di Goliarda Sapienza, Pina Bausch e Francesca Woodman
Alessandra Trevisan
2017-01-01
Abstract
A thematic itinerary which subtends literature, dance theatre and photography in an innovative plan. Some characteristics about these three authors will be demonstrated intersecting different fields in dialogue as cinema, philosophy and architecture in addition to the mentioned ones. Trying to catch outstanding aspects of the cultural context in which Bausch, Sapienza and Woodman lived and worked, recreating and crossing their “systems” then reading biography and autobiography beyond their works, applying new interpretations never explored before, it is possible to reconstruct the anatomy of a “tragic body” – central in this article –, both singular and plural. In every part it will reveal unknown and intertextual specificities.
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