Curated by Vicente Todolí, ‘Crossover/s’, Miroslaw Balka’s retrospective at Milan’s Pirelli HangarBicocca, is his first in Italy. It occurs at the same time as a solo exhibition at Galleria Raffaella Cortese titled in German ‘In Bezug auf die Zeit’ (In Relation to Time). Drawing on the definition of acceleration in physics (velocity in relation to time), the show explores three decades of the artist’s career through several key moments. ‘Crossover/s’ benefits from the immensity of Pirelli HangarBicocca’s former industrial space, that concrete container that draws viewers into its dark cavity – immersing us in twilight, it alters our perception of the world. On display here are some of the largest pieces the artist has ever made and the exhibition inevitably overshadows that at Galleria Raffaella Cortese. But it is worth seeing both, for at Galleria Raffaella Cortese the work is intimate, less grandly resolved, making uncertainty a point of reflection.
Miroslaw Balka
TAROCCO, Francesca
2017-01-01
Abstract
Curated by Vicente Todolí, ‘Crossover/s’, Miroslaw Balka’s retrospective at Milan’s Pirelli HangarBicocca, is his first in Italy. It occurs at the same time as a solo exhibition at Galleria Raffaella Cortese titled in German ‘In Bezug auf die Zeit’ (In Relation to Time). Drawing on the definition of acceleration in physics (velocity in relation to time), the show explores three decades of the artist’s career through several key moments. ‘Crossover/s’ benefits from the immensity of Pirelli HangarBicocca’s former industrial space, that concrete container that draws viewers into its dark cavity – immersing us in twilight, it alters our perception of the world. On display here are some of the largest pieces the artist has ever made and the exhibition inevitably overshadows that at Galleria Raffaella Cortese. But it is worth seeing both, for at Galleria Raffaella Cortese the work is intimate, less grandly resolved, making uncertainty a point of reflection.File | Dimensione | Formato | |
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Miroslaw Balka | Frieze.pdf
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