This article examines the image of Empire developed in public discourse in Italy during the late Liberal period and Fascism by placing it in the context of representations of the British Empire, with which Italian imperial ambitions were compared. There is a continuity in seeing the British Empire as the expression of industrial and commercial modernity and its resultant strength, but what in the Liberal period was seen as an unparalleled superiority became under Fascism a supremacy acquired in a particular period but now exhibiting signs of decline, which Fascism should contest and surpass. Admiration of the British was mixed with disparagement: key figures expressed a competitive resentment towards Britain and its dominant international position, seeing it as the epitome of ‘modern’ imperial power against which Fascism was destined to be measured. In the 1930s signs of the British Empire’s decline were sought, developing the idea in Gibbon’s Decline and Fall of the Roman Empire that British domination would also rise and fall, and announcing the replacement of the ‘British order’, founded on commercial modernity and the strength of money and capital, by Fascism’s new civilisation, with its authentic heritage of imperial romanita` . This competitiveness towards Britain, which historiography has principally seen as a component of foreign policy (as was clear over Ethiopia), has additional significance when seen as an element of political culture that relates to the concept of the State. The autonomy and strength of the State were an important feature of Fascism’s self-representation and of its legal culture, and in this light the possession of an empire came to be seen as an essential aspect of statehood and power.
This article examines the image of Empire developed in public discourse in Italy during the late Liberal period and Fascism by placing it in the context of representations of the British Empire, with which Italian imperial ambitions were compared. There is a continuity in seeing the British Empire as the expression of industrial and commercial modernity and its resultant strength, but what in the Liberal period was seen as an unparalleled superiority became under Fascism a supremacy acquired in a particular period but now exhibiting signs of decline, which Fascism should contest and surpass. Admiration of the British was mixed with disparagement: key figures expressed a competitive resentment towards Britain and its dominant international position, seeing it as the epitome of ‘modern’ imperial power against which Fascism was destined to be measured. In the 1930s signs of the British Empire’s decline were sought, developing the idea in Gibbon’s Decline and Fall of the Roman Empire that British domination would also rise and fall, and announcing the replacement of the ‘British order’, founded on commercial modernity and the strength of money and capital, by Fascism’s new civilisation, with its authentic heritage of imperial romanita` . This competitiveness towards Britain, which historiography has principally seen as a component of foreign policy (as was clear over Ethiopia), has additional significance when seen as an element of political culture that relates to the concept of the State. The autonomy and strength of the State were an important feature of Fascism’s self-representation and of its legal culture, and in this light the possession of an empire came to be seen as an essential aspect of statehood and power.
Empires Ancient and Modern: Strength, Modernity and Power in Imperial Ideology from the Liberal period to Fascism
CERASI, Laura
2014-01-01
Abstract
This article examines the image of Empire developed in public discourse in Italy during the late Liberal period and Fascism by placing it in the context of representations of the British Empire, with which Italian imperial ambitions were compared. There is a continuity in seeing the British Empire as the expression of industrial and commercial modernity and its resultant strength, but what in the Liberal period was seen as an unparalleled superiority became under Fascism a supremacy acquired in a particular period but now exhibiting signs of decline, which Fascism should contest and surpass. Admiration of the British was mixed with disparagement: key figures expressed a competitive resentment towards Britain and its dominant international position, seeing it as the epitome of ‘modern’ imperial power against which Fascism was destined to be measured. In the 1930s signs of the British Empire’s decline were sought, developing the idea in Gibbon’s Decline and Fall of the Roman Empire that British domination would also rise and fall, and announcing the replacement of the ‘British order’, founded on commercial modernity and the strength of money and capital, by Fascism’s new civilisation, with its authentic heritage of imperial romanita` . This competitiveness towards Britain, which historiography has principally seen as a component of foreign policy (as was clear over Ethiopia), has additional significance when seen as an element of political culture that relates to the concept of the State. The autonomy and strength of the State were an important feature of Fascism’s self-representation and of its legal culture, and in this light the possession of an empire came to be seen as an essential aspect of statehood and power.File | Dimensione | Formato | |
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