This thesis addresses the debate on films on art which emerged from the post-war years to the end of the fifties, by reconstructing the history and the initiatives of international institutions created for its regulation, use and circulation. After identifying and contextualizing the role of UNESCO, the first part of the thesis follows the birth of the Fédération Internationale du Film sur l'Art in 1948, as well as the protagonists and congresses that established its policies and targets; it shall then proceed with the analysis of other institutions and of a several catalogues produced worldwide. The second part focuses on the context of internationals festivals, in particular on the Venice International Film Festival. We shall thereby address the production of films as well as the gradual definition of critical and methodological debate around this genre.
Il film sull'arte e la Mostra internazionale del cinema di Venezia / Del Monte, Marco. - (2010 Mar 23).
Il film sull'arte e la Mostra internazionale del cinema di Venezia
Del Monte, Marco
2010-03-23
Abstract
This thesis addresses the debate on films on art which emerged from the post-war years to the end of the fifties, by reconstructing the history and the initiatives of international institutions created for its regulation, use and circulation. After identifying and contextualizing the role of UNESCO, the first part of the thesis follows the birth of the Fédération Internationale du Film sur l'Art in 1948, as well as the protagonists and congresses that established its policies and targets; it shall then proceed with the analysis of other institutions and of a several catalogues produced worldwide. The second part focuses on the context of internationals festivals, in particular on the Venice International Film Festival. We shall thereby address the production of films as well as the gradual definition of critical and methodological debate around this genre.File | Dimensione | Formato | |
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Marco_Del_Monte_tesi film_sull-arte.pdf
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