In situation where contemporary art exhibitions are using historical spaces, the rhetoric of creativity (and creative “industries”) faces a very intriguing conundrum. This chapter discusses the contention between different understandings and values given to meaning and processes of creativity and public accessibility. It follows the issues and contentions that arise around the use of part of the historical site of the Venice Arsenal for some of the Venice Biennale exhibitions. Core challenges are physical closure of historical spaces to the public, as well as the neglect of meaning inherent in the long and diverse existence of the Arsenal.
The Venice Biennale at the Venice Arsenal: a potential conflict between creativity and historical preservation?
luca zan
2023
Abstract
In situation where contemporary art exhibitions are using historical spaces, the rhetoric of creativity (and creative “industries”) faces a very intriguing conundrum. This chapter discusses the contention between different understandings and values given to meaning and processes of creativity and public accessibility. It follows the issues and contentions that arise around the use of part of the historical site of the Venice Arsenal for some of the Venice Biennale exhibitions. Core challenges are physical closure of historical spaces to the public, as well as the neglect of meaning inherent in the long and diverse existence of the Arsenal.| File | Dimensione | Formato | |
|---|---|---|---|
|
Zan NEW VERSION Venice Biennale and the Venice Arsenal0 05_jbedits1LZ_jbLZ.pdf
non disponibili
Tipologia:
Documento in Post-print
Licenza:
Accesso chiuso-personale
Dimensione
1.01 MB
Formato
Adobe PDF
|
1.01 MB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.



