This essay explores the interplay between imagination and interpretation as foundational cognitive processes through which the human mind constructs and inhabits reality. Drawing on cognitive neuroscience, philosophy of perception, and the realist philosophy of Maurizio Ferraris, the work argues that perception is never a neutral reception of stimuli but an active, meaning-laden act shaped by memory, expectation, and embodied experience. Imagination, far from being a marginal or purely creative faculty, functions as a central cognitive engine involved in decision-making, social reasoning, and mental simulation — activating neural networks that overlap significantly with those of perception itself. Interpretation, in turn, emerges as the process by which sensory traces are transformed into shared meaning, operating at the intersection of personal history and cultural context. Central to the argument is Ferraris’s concept of inscription: the claim that reality is constituted through traces — mental, bodily, and social — that make experience durable and intelligible. From this perspective, both imagination and interpretation are forms of documentary activity, participating in the same logic that grounds the real. The final section examines the implications of this framework for the debate on artificial intelligence, arguing that machines process traces but do not construct experience: lacking embodiment, mortality, and the capacity for genuine inscription, AI operates as a powerful amplifier of human cognition rather than its replacement. The true challenge posed by AI is therefore not cognitive but ethical — a question of who controls the meaning of the traces we collectively produce.

Imagination and Interpretation: How the Human Mind Builds Reality in the Age of AI

Jacomuzzi A.
2026

Abstract

This essay explores the interplay between imagination and interpretation as foundational cognitive processes through which the human mind constructs and inhabits reality. Drawing on cognitive neuroscience, philosophy of perception, and the realist philosophy of Maurizio Ferraris, the work argues that perception is never a neutral reception of stimuli but an active, meaning-laden act shaped by memory, expectation, and embodied experience. Imagination, far from being a marginal or purely creative faculty, functions as a central cognitive engine involved in decision-making, social reasoning, and mental simulation — activating neural networks that overlap significantly with those of perception itself. Interpretation, in turn, emerges as the process by which sensory traces are transformed into shared meaning, operating at the intersection of personal history and cultural context. Central to the argument is Ferraris’s concept of inscription: the claim that reality is constituted through traces — mental, bodily, and social — that make experience durable and intelligible. From this perspective, both imagination and interpretation are forms of documentary activity, participating in the same logic that grounds the real. The final section examines the implications of this framework for the debate on artificial intelligence, arguing that machines process traces but do not construct experience: lacking embodiment, mortality, and the capacity for genuine inscription, AI operates as a powerful amplifier of human cognition rather than its replacement. The true challenge posed by AI is therefore not cognitive but ethical — a question of who controls the meaning of the traces we collectively produce.
2026
Philosophy of Traces: The Influence of Maurizio Ferraris
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5118288
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