The essay investigates Maria Bellonci’s engagement with the Polian text, with particular attention to the twofold work she carried out in 1982: the rewriting of the Milione into modern Italian, and the narrative recasting of the story in the novel Marco Polo. Both works were published by ERI to coincide with the release of the television series dedicated to Marco Polo, directed by Giuliano Montaldo. The analysis concludes reflecting on how this narrative and philological mediation prepared the ground for Bellonci’s final work, "Rinascimento privato".
Il Marco Polo di Bellonci tra riscrittura e invenzione
Emmanuela CARBE'
2025
Abstract
The essay investigates Maria Bellonci’s engagement with the Polian text, with particular attention to the twofold work she carried out in 1982: the rewriting of the Milione into modern Italian, and the narrative recasting of the story in the novel Marco Polo. Both works were published by ERI to coincide with the release of the television series dedicated to Marco Polo, directed by Giuliano Montaldo. The analysis concludes reflecting on how this narrative and philological mediation prepared the ground for Bellonci’s final work, "Rinascimento privato".
File in questo prodotto:
| File | Dimensione | Formato | |
|---|---|---|---|
|
46503 (1).pdf
non disponibili
Tipologia:
Versione dell'editore
Licenza:
Accesso chiuso-personale
Dimensione
184.23 kB
Formato
Adobe PDF
|
184.23 kB | Adobe PDF | Visualizza/Apri |
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
