This article on Gerlinde Reinshagen's play Die fremde Tochter (The Foreign Daughter), which premiered in 1993, reveals its implicit poetics and intertextual references and brings them into dialogue with Ludwik Fleck's sociology of knowledge. It highlights Reinshagen's complex use of meaning through systems of reference and the topicality of the apocalyptic end-time drama.
„Aus der Form gesprungen“: Reinshagens "Die fremde Tochter"
Zittel, Claus
In corso di stampa
Abstract
This article on Gerlinde Reinshagen's play Die fremde Tochter (The Foreign Daughter), which premiered in 1993, reveals its implicit poetics and intertextual references and brings them into dialogue with Ludwik Fleck's sociology of knowledge. It highlights Reinshagen's complex use of meaning through systems of reference and the topicality of the apocalyptic end-time drama.
File in questo prodotto:
Non ci sono file associati a questo prodotto.
I documenti in ARCA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
