This paper addresses the theme of the removal of theater and theatrical training in the first part of Giacomo Casanova's Histoire de ma vie and his condition as the son of actors, and the great significance of this relationship, not only for his direct theatrical activity but for the theatrical structures present in the autobiography.
Tra scena e vita: il teatro di Giacomo Casanova
vescovo
2025-01-01
Abstract
This paper addresses the theme of the removal of theater and theatrical training in the first part of Giacomo Casanova's Histoire de ma vie and his condition as the son of actors, and the great significance of this relationship, not only for his direct theatrical activity but for the theatrical structures present in the autobiography.
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