The text closes the publication, highlighting the fruitful disciplinary exchanges between film and music studies when it comes to explore the remediation of opera. It proposes a brief literature review and it identifies the areas of inquiry that the publication has tried to frame as well as those that are still to be developed.
Coda
Miriam Stefania DE ROSA
;Vincenzina Caterina Ottomano
2025-01-01
Abstract
The text closes the publication, highlighting the fruitful disciplinary exchanges between film and music studies when it comes to explore the remediation of opera. It proposes a brief literature review and it identifies the areas of inquiry that the publication has tried to frame as well as those that are still to be developed.
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