This paper deals with two portrait stories narrated by two of the most important Persian-writing authors of 17th century Mughal India. Trough a deep reading of the two texts (a couplet poem and a prose work mixed with poetry), I show how the literary narratives on "living images" in early modern Indo-Persian literature interact with a whole set of conceptual protocols on the nature of vision, representation and the self, in a comparative perspective which extends to Renaissance and Baroque Europe.

Portraits in the Mirror: Living Images in Nāṣir ʿAlī Sirhindī and Mīrzā ʿAbd al-Qādir Bīdil

PELLO', S.
2018-01-01

Abstract

This paper deals with two portrait stories narrated by two of the most important Persian-writing authors of 17th century Mughal India. Trough a deep reading of the two texts (a couplet poem and a prose work mixed with poetry), I show how the literary narratives on "living images" in early modern Indo-Persian literature interact with a whole set of conceptual protocols on the nature of vision, representation and the self, in a comparative perspective which extends to Renaissance and Baroque Europe.
2018
Portraiture in South Asia Since the Mughals: Art, Representation and History
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/10278/5065721
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